“Every child is an artist.” – Pablo Picasso
Our Curriculum
Our Intent
By the end of the Year 11 students at Pendle Vale College will:
- be able to independently and confidently analyse and evaluate, making informed decisions and form their own opinions about Art, Craft and Design within the studio and beyond.
- be able to effectively research, develop and sustain a chosen study from conception to realisation within the subject and apply this to other areas of their learning.
- have understood the importance of rigour and discipline in creating successful and worthwhile outcomes and will have applied this to their own learning within the subject
- have been given every opportunity to develop personal self-confidence through improved communication, cooperation and organisation skills.
Three Pillars of the Curriculum
We fully believe that Art contributes to the development of all students at Pendle Vale College through our unrelenting focus on:
- Currency: giving our students opportunities to recognise that they have talents which could otherwise remain latent.
- Character: involving students in a wide range of creative activity, meaning that their achievements are personal and often highly individual. They are, by definition, in some way, novel and original, different or distinctive to anything previously created
- Skills: providing ongoing experiences across the range of Art, Craft and Design to facilitate the development of manipulative, practical and physical skills alongside the heightening of visual awareness.
Learning and Understanding
We seek to instill a true love of learning in all our students by:
- offering an ever-changing exciting, rich and varied SOL providing a wealth of experience offered nowhere else in the curriculum.
- a passion and absolute love of the subject from highly experienced and artistically talented teaching staff who work to, and share, their strengths.
- creating a learning environment where students want to spend time and feel valued, where relationships are built on mutual respect.
In order to achieve a true understanding of Art, topics have been intelligently sequenced based on the following rationale:
- that students from Year 7 are introduced and familiarised to the broad spectrum of Art, Craft and Design believing that the rich and varied learning will allow them to sequentially build upon the key elements of the subject allowing them to flourish and to deepen their knowledge, skills and understanding.
- that “Art “Craft” and “Design “/ “2D” “3D” and “concepts” “production” and “critical/contextual” is a matrix followed to ensure learning remains broad and balanced allowing students to know “about “as well as how to “do” the subject.
- Learning is refreshed every academic year with projects rarely revisited. The key elements of visual art remain as the core skills but with the theme / focus changing depending upon interests / current affairs / cultural issues etc. This keeps a freshness and excitement with outcomes different every year, providing for exhibitions that are ever different for us to share across the wider college community.
Personal Development
We fully believe that Art contributes to the development of students at Pendle Vale through their development in five key areas:
- Social development is encouraged through carefully planned projects with a collaborative learning focus, helping students to learn to value different ideas and opinions and to develop respect for those which are different to their own
- Moral development of students is promoted when helping students to identify or represent moral issues in their own work and that of others. This is often done through critical studies and the contextualization of artwork across time and place.
- Spiritual development is highlighted when helping students to explore ideas and feelings and to make sense of them in a personal way through their discussions and their practical artwork. Students are encouraged to make connections with their own and other experiences through looking at examples of Art, Craft and Design across time and place.
- The curriculum contributes to the cultural development of students in helping students to realise how images and artefacts have an influence upon the way people think and feel, and to understand the ideas, beliefs and values behind their making, relating them to their cultural context.
- Personal development is taught by encouraging students to think for themselves, to experiment and explore while building onto a growing base of knowledge skills and understanding.
Equality
The Art curriculum ensures that any potential equality issues are mitigated by:
- Creating an environment in which girls and boys can work both individually and together on equal terms providing them both with the same potential to engender similar aspirations.
- Developing amongst students an understanding of, and a positive response to, the multicultural society of the region and beyond.
- Giving all students a range of opportunities commensurate with their needs and abilities, encouraging them to see their full potential and helping them realise it, especially those with additional needs.
Homework
Our belief is that homework should be a deliberate practice of what has been modelled and taught in lessons, as well as interleaved revision to ensure students are embedding previously learn knowledge but also developing high level skills alongside powerful knowledge.
Careers, Opportunities and beyond the Curriculum
Opportunities are built in to make links to the world of work to enhance the careers, advice and guidance that students are exposed to including:
- Contextual and critical studies within the learning for all years, providing a window into the world of work within the creative industries.
- Working to an externally set brief and the experience this brings in terms of “real life” procedures and parameters.
- Talking to students regarding career paths and the vast array of opportunities within the creative industries –making reference to contemporary practicing artists, craftspeople and designers
Whilst ensuring students are well prepared for their GCSE examinations, we teach beyond the exam specification by:
- fostering an increased confidence in expressing ideas, feelings and opinions in an informed and structured way. “Talk” used to extend and enrich learning is integral to day-to-day teaching.
- providing a curriculum and pedagogy that encourages students to be more independent in their learning. In effect, students must do much more than just “create “, they must research, experiment, problem solve, question, select, analyse , reflect, evaluate and modify in a continuum – key skills for lifelong learning.
- extending student’s knowledge, understanding and awareness of the world beyond the confines of the studio, through the critical and contextual analysis of selected artists and their works, from across time and place.
Research Led
The Art curriculum at Pendle Vale has been influenced by:
- Educating for Art (Rod Taylor, 1986) and Critical studies in Art and Design education (David Thistlewood, 1989) believing that critical studies is vital to a balanced Visual Arts curriculum and have therefore adopted an approach which supports this. Every facet of Art has its history and contemporary practitioners. Art objects have been made by virtually all peoples and extend back to prehistoric times. Looking at artwork across time and place enhances understanding of the processes and concepts of Art and helps to broaden student’s critical and contextual understanding .
- The Arts in schools, Principles, Practice and Provision (The Gulbenkian foundation 1982). Art is fundamental in developing physical and perceptual skills which have wide application and value. This does not just mean teaching “about” Art, but it means enabling young people to “do” art themselves.
- The Arts in Wigan Schools – a policy statement (Wigan LEA 1988). A framework for an Arts entitlement and its subsequent delivery which, over time has not diminished in its currency and relevance therefore remains an influence upon the pedagogy of the department.
- Living Powers: the Arts in Education (Peter Abbs, 1987). The department applies the principles that the Arts, while different from other areas of the curriculum, are equal to and vitally important in providing a balanced curriculum. The Visual Arts are an ideal catalyst to imbue the whole curriculum with added meaning and vitality so to disregard this would be to the detriment of all young people’s wider learning.
- The specialisms / disciplines and personal artwork of the department staff, alongside a collaborative and shared approach working to strengths and expertise.
The curriculum is planned giving thought to the optimum knowledge sequence required for building secure, effective schema.
A powerful knowledge-rich curriculum teaches both substantive knowledge (facts, knowing something is the case, what we think about) & non-declarative or procedural knowledge (skills & processes, knowing how to do something, what we think with).
Bodies of knowledge are essential to underpin skills. In some subjects, further distinction between substantive knowledge (domain specific knowledge gained e.g. knowledge of the past) & disciplinary knowledge (how the knowledge is gained e.g. historical reasoning)
Curriculum Plans
Year 7
Autumn Term
Theme
The Elements of Art
- Colour
- Line
- Shape
- Space
- Tone
- Form
- Texture
New Learning
- The Pencil/What are guidelines
- Primary Colours/Secondary Colours/Tertiary
- Blending From dark to light
- What is Tone & Mark Making?
- What is hatching /cross hatching?
- What is Stippling? What is scumbling?
- Who is Wassily Kandinsky?
- How to use guidelines
- Application of colour theory to the wheel
- Application of colour blending
- How to use tone for dimension (sphere)
- How to create being inspired from artists.
Knowledge Revisited
- Knowledge of colour KS2
- Baseline will assess different primary school knowledge (reference to future).
Knowledge Developed
Colour theory
- Primary
- Secondary
- Tertiary analogous harmonious
- Complimentary
Spring Term
Theme
Culture
- Aboriginal Art
- Day of the dead
New Learning
- What is aboriginal Art?
- What is the Mexican Festival Day of the dead
- What is symbolism
- Basic ceramic
- Clay techniques
- Introduction to variety of media: Dyes, Paint
- What is Pattern & Symmetry?
- How to create a clay structure based on aboriginal art
- How to dye a page
- How to create a sketchbook page using symbols and dye
Knowledge Revisited
- Colour Wheel
- Tones & Pattern
Knowledge Developed
- Colour theory & meaning – use of limited palettes
- Colour blending
- Drawing / design
- Craftmanship
Summer Term
Theme
Famous Artists & Self-Portraiture
- What is self-portraiture?
- Who are you?
- Self-portrait Artists
New Learning
- What is a portrait
- What is abstract
- Who is Frida Kahlo
- Who is Pablo Picasso
- How to take inspiration from others work & apply the knowledge to your own work
- How to use shape, tone, and colour to create an abstract portrait
Knowledge Revisited
- Composition
- Texture
- Pattern
Knowledge Developed
- Colour theory
- Mood harmony contrast
- Composition Colour blending
- Drawing and design developing skills
Year 8
Autumn Term
Theme
Dragon Eye & Clay
- Elements of Colour and Earth, Wind & Fire
- Dragon Eye Project
New Learning
- What are the key colours of earth wind and fire?
- What are the key materials in ceramics project?
- How to Blend – techniques
- How to create a 3D relief clay dragon piece construction techniques
- Decoration of 3D structure
Knowledge Revisited
- Colour theory
Knowledge Developed
- Colour Theory – Harmonious / Analogous
- Shape and line
- Tone & Pencil
Spring Term
Theme
Graffiti / Doodle Art
- The history of Graffiti
- Graffiti Key terminology and Graffiti Artists
- Character illustration
New Learning
- What is a stencil?
- What are the key concepts of Graffiti?
- What is a tag?
- What is wild style/ Bubble lettering?
- Who is Banksy?
- Who is Burgerman?
- Careers – Graffiti / Fashion
- How to create Characters
- How to spray paint
Knowledge Revisited
- Colour
- Line
- Careers
- Art History
Knowledge Developed
- Colour mixing
- Application – paint
- Contextualisation
- Drawing and design
- Researching
- Artists
- Craftsmanship
Summer Term
Theme
Pop Art & Food in Art
- The history of Pop Art
- Pop Art Key Terminology
- Pop Artists
New Learning
- Pop Art Culture & History
- Research & analysis of artists – Roy Lichtenstein
- Who is Andy Warhol?
- Who is Claes Olderburg?
- What is an ellipse?
- What is Screen printing?
- Ben Day Dots?
- How to create an ellipse
- Application of an ellipse
Knowledge Developed
- Graphics skills – honed and widened
- Drawing / design
Year 9
Autumn Term
Theme
Portraiture – Sep-Feb ½ Term
New Learning
- What makes a good pencil drawing?
- What is a portrait? Who is Minjae Lee? Who is Samuel Rodriguez?
- What is a zentangle?
- How to draw separate features
- How to draw a portrait
- Apply knowledge of features and art styles to compose an individual stylised art work
Knowledge Revisited
- Colour theory
Knowledge Developed
- Contextualisation
- Composition
- Pattern
- Colour symbolism emotion
- Drawing design
- Eye, Nose & Mouth drawing
Spring Term
Theme
Architecture – Feb ½ Term – July
- History of Architecture/Famous Architects/Famous Buildings/
- Artists who focus on Architecture/Perspective
New Learning
- What is Architecture?
- Who is Gaudi?
- Who is Marc Allante?
- Who is Ian Murphy?
- One Point perspective/Two Point perspective
- What is mixed media art / collage?
- How does a career in architecture look?
Knowledge Revisited
- Contextualisation
Knowledge Developed
- Craftsmanship
Summer Term
Theme
Architecture – Feb ½ Term – July
- History of Architecture/Famous Architects/Famous Buildings/
- Artists who focus on Architecture/Perspective
New Learning
- What is Architecture?
- Who is Gaudi?
- Who is Marc Allante?
- Who is Ian Murphy?
- One Point perspective/Two Point perspective
- What is mixed media art / collage?
- How does a career in architecture look?
Knowledge Revisited
- Contextualisation
Knowledge Developed
- Craftsmanship
Year 10
Autumn Term
Theme
Introduction to GCSE AQA ART
- 60 % Coursework 40% ESA
Assessment Objectives
- Texture & Line
- Graffiti
- Natural Forms – (Starting Point)
- Recording & Investigation
- Analysis Research & Annotation
- Artists & Movements
- Experimentation/Materials /Responding Personally/Creating & Making
New Learning
- Understanding what a portfolio of work is, and how the GCSE Fine Art is Graded.
- What do different materials look and feel like?
- What types of pencils are there?
- What is mono-printing?
Knowledge Revisited
- Colour
- Composition
- Drawing
- Painting
- Design
- Craftsmanship
Knowledge Developed
- Skills with variety of media
- Contextualisation
- How to Record & Investigate including photography
- How to Analyse Research
- Annotation
- How to use different materials including printing process – mono print
- How to Present independent work
- Experimentation and execution of media/ techniques / processes
- Independent thought
- Personal responses and Time management
Spring Term
Theme
Please refer to Autumn Term
New Learning
- Research Artists and critical analysis of Natural Forms theme.
- Who is Kate Malone?
- What is design sketching?
Knowledge Revisited
- Assessment objectives
- Critical Analysis
- Exploration of media
- Techniques
Knowledge Developed
- How to use different materials including clay
- Formal elements/Annotation
- Skills with variety of media
Summer Term
Theme
Personal Response
- Further exploration of ‘favourite’ theme.
- A sustained amount of time to develop work from previous ‘Starting Points’.
- A04 Final Response -Including a mini mock
New Learning
- Sustained and in-depth exploration of a theme
- Exploration of Final piece ideas / Preparatory work and Final Piece
- What will you create for your final mock exam
Knowledge Revisited
- Annotation
- Presentation
- Independence
- Presentation of ideas
- Craftsmanship
- Personal response
Knowledge Developed
- How to respond in the mock exam for a 5 hour sustained piece
Year 11
Autumn Term
Theme
Identity
- Recording & Investigation
- Analysis Research & Annotation
- Artists Experimentation
- Materials
- Responding Personally
- Creating & Making
- Any Media (Personal Choice)
New Learning
- Critical analysis of the work of Artists who focus on the starting point ‘Identity’
- What is a mind map /artist research page?
- What is an exceptional drawing?
- What is an observational drawing page? What is development?
- Who is x Identity artist?
Knowledge Revisited
Drawing / painting and Formal elements
Knowledge Developed
- Understanding what a portfolio of work is, and how the GCSE Fine Art is Graded
- Recap Assessment Objectives
- Research into a given stimulus
- Formal art elements /Presentation of findings /Time management /Craftsmanship
Spring Term
Theme
Externally Set Assignment in January.
- 40% Exam Portfolio
- Question paper form released by AQA. 7 choices of Starting point.
New Learning
- Personal response and Time management
- Sustaining a project from conception to realisation
- What is your chosen title?
- What does that title link to?
Knowledge Revisited
- All prior learning as appropriate
Knowledge Developed
- Research into a given stimulus
- Formal elements
- Presentation of findings
- Informed decision making
- Time management
- Craftsmanship
Summer Term
Theme
- Presentation of coursework work portfolio and ESA final GCSE exhibition including EXAM – Deadline May.
- Assessment and Moderation.
New Learning
- Presentation / display techniques
- Exhibition techniques
- What will you create for your final 10 hour exam?
For further information regarding our curriculum please contact the admin team at reception@pendlevale.lancs.sch.uk